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‘Without storyboards, I feel like I’m in Grand Central station in my underwear’: film’s fightback against AI

‘Without storyboards, I feel like I’m in Grand Central station in my underwear’: film’s fightback against AI
Going up in flames … storyboard for Gone With the Wind (1939). Photograph: TCD/Prod.DB/Alamy

As Hollywood begins to adopt the technology, the professionals in most direct jeopardy are the illustrators mapping out directors’ first visions. They sketch out what could be lost

A film industry dominated by AI is a dystopian prospect: stories and dialogue generated by large language models, populated by reincarnated screen icons and uncanny humanoids. That is in the future, but the real-world impact of AI is already directly affecting jobs behind the scenes, as Hollywood’s biggest film-makers begin to adopt the technology. James Cameron – long an advocate for emerging technologies in film-making – is on the board of a gen AI firm, citing his interest in how AI will intersect with CGI; Steven Soderbergh used Meta-powered tech to create animations for his recent documentary about John Lennon; even Christopher…

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